Nixie Clock is a Retro Tank made to last

For hardcore aficcionados of retro styles, the Nixie clock by BDDW is hand-made in raw-looking bronze of a blackened, natural or silvered variety. Vacuum-type numerical displays complete the retro look, but each hand-crafted unit is meticulously put together with modern chips. The clocks are guaranteed to last 20,000 years (bulbs aside), and command a price of US$2,500, or more for a wall-mountable clock or a grandfather clock (also in wood). The Nixie is part of a sleek collection from BBDW.

The Future of Print? Nike Makes Shoes From Shredded Magazines

A limited edition of sneakers made from recycled magazines, released in select emerging markets.
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If print is dead, it's getting a hell of a reincarnation in these killer kicks from Nike.

What do you do with all those stacked-up, unread New Yorkers on your nightstand? Recycle 'em, of course. Maybe if they're lucky, they'll end up with an afterlife as cool as the Nike Women's Premium Print Pack, a limited edition set of sneakers designed out of shredded magazines. Snag a pair of these, and you won't need to feign interest in that 10,000-word article on Balinese maskwork when you crash a publishing soiree -- you can just wear your media-elite street cred.

 

women's premium print pack

 

The Print Pack contains three Nike styles: The Nike Flash Macro Premium (sail/birch), Nike Blazer Mid Premium (sail/khaki) and Nike Air Rift Premium (sail/sport red). But don't sweat those details, because according to Nike, unless you live in Europe, China, or "select emerging markets," you don't have a chance in hell of getting your hands on them.

 

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No, you must admire the Print Pack's retro-chic bricolage from the digital remove of this blog: from the delicate stitching of these bits of deathless prose (or ad copy, more likely) into unique patterns on each shoe, to the rugged transparent coating that protects the literary moments-in-amber from the elements that buffet any footwear worn outside the redoubts of obscure underground clubs or European runway shows. (Pretty good, right? Maybe Nike can turn my disposable hackwork into rad kicks someday!)

 

nike

 

Credit where credit is due: the design of these sneaks is pretty great. The bits of print look like vintage filmstrips running up and down the shoes' clean lines. And who knows, maybe there are whole narratives to be discovered in the cut-up fragments adorning your feet. Crazier things have happened -- just ask Jonathan Safran Foer.

 

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The Women's Premium Print Pack will "debut in limited quantities" starting January 1.

[Images courtesy of Nike]

 

 

 

John Pavlus

 

John Pavlus

John Pavlus is a writer and filmmaker focusing on science, tech,... Read more

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Stefan Sagmeister: Functionality is Optional, but Honesty is Key

Innovative designer Sagmeister shares his views on graphic design, including its role to translate non-visual messages into visual communications.

Related:

Referenced: Bauhaus movement. See brief historical context.
See Sagmeister's studio home page, which utilizes a webcam feed with clickable menu on the floor of the studio.


Baked Objects

Inspired by Salemi, a Sicilian event where flour-based objects are created for decoration, Italian designers Andrea Trimarchi and Simone Farresin of Formafantasma created these baked objects for Dutch Design Week 09 in Eidenhoven. The collection includes objects made from flour, spinach, coffee, and other food. While they may not be practical or durable like conventional objects, these bowls and bottles, formed simply and from simple means, seem to quietly make a profound statement about the beauty of natural material and the needless divergence from it in the production of many ordinary objects. 

Via Deezen.

3 Product Designs striving to change habits for the better

It's the mundane, oft-repeated habits of our times that create the most waste, cumulatively generating landfills at an alarming rate. Here are three product design and product packaging ideas that strive not only to reduce waste, but also to address ease of use, thereby encouraging behavioral consumer changes.

Paperboard's line of Ditto hangers for home or business help make a dent against the 3.5 billion wire hangers and 8 billion plastic hangers that end up in landfills. The 17" ziggurat hanger model (image 2), which was designed for Adidas and holds 20 pounds, has a 1" wide shoulder and is perfect for holding even delicate fabrics such as knits—an award-winning design available in packs of 10 for $15 via Amazon.

For Starbucks' 2010 Betacup Challenge competition, which invited designers to create cups that encouraged waste-reducing behaviors, Dutch designer Martjin van Loon came up with an edible solution: a heat resistant and liquid resistant wafer cup which can be disposed of by being eaten.

 

ECOvention's GreenBox pizza box is tri-purpose: pizza suitcase, plates, and compact storage box. The top folds down into four pre-perforated plates, cutting back on paper plate use, and the bottom folds into a compact storage, eliminating the need for an additional storage container or wrap. It's already used at Whole Foods in the U.S., Ali Baba Pizza in Canada, and other locations, and has been honored at the Responsible Packaging Awards on October 14, 2010, Boston.

 

Maps of Stereotypes

Image 1: Europe according to the U.S.
Image 2: Europe according to Germany
Image 3: Europe according to Britain
Image 4: The Word according to the U.S.
Image 5: Italy according to Italians 

These colorful, appealing maps can easily be construed as either funny or offensive, or both—depending, naturally, on one's own geographic point of view. The World according to the USA, Europe according to Great Britain, Italy according to Italians, and many other maps show funny yet accurate stereotypical thinking of "the others." Wearable as T-shirts, they invite humorous provocation and an acknowledgement of the costs and foolishness of the ever-present contests and strifes between humans—or the like.

These are a great reminder that beautiful visuals can be created for any purpose, and that graphic design and other visual works are created in the context of cultural environment, political motivation, or economic purpose... be it a religion, a social movement, a hedonistic appeal, nationalistic pride, etc.—especially good reminders during election cycles or when evaluating infographics.

From Alphadesigner.
Thanks to SandroP for sharing this find.

The Avantgarde in Visual History

The first half of the 20th Century laid a notable foundation to visual communication as we know it today. Across the west, influential artists, photographers, and architects sought to influence culture, break from the past and react to expansive wars. In the process, they marked the development of graphic design and its cousin design fields.

The term "Avant-Garde" was coined in Paris in 1863 in reference to a small group of artists and intellectuals who opened new cultural paths for society. By the early 1900s this kind of artistic influence was evolving across Europe.

At the onset of World War I, the Russian Constructivist movement emerged as a way to utilize art as an instrument with social goals—a movement with notable influence thought the middle of the century. While in Russia the artistic and architectural Constructivist movement sought to lay the foundations of a socialist system, in Milan, the Futurist movement took hold, whereby all mediums of art from sculpture to photography were deployed in an effort to reject the past and embrace the ideals of technology, speed, youth and violence—visible influences to this day, especially in film and pop culture.

In politically neutral Switzerland, meanwhile, Dadaism arose as a rejection of war, expressed through a rejection of art standards including logic, order, aesthetics and meaning—a kind of artistic anarchy that influenced movements including Surrealism.

In Germany, the Bauhaus movement, whose foundation lay in the 1880s modernism movement, strove to unify art, craft and technology, resulting in an art and architectural ideal that welcomed machines and spanned across industrial and product design, and became the foundation for contemporary graphic design education.